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Gregarious Expressions

by Alicia Lynn Grega

Happy Birthday & the Sizzle of Brass

 
This morning, Professor of NOW @SxipShirey tweeted a link to this video for Taraf Hijacked (not on either one of the band’s two albums!) today in honor of Luminescent Orchestrii’s seven years together. Yea!
 
 

        

 

Why "Professor of NOW" you ask?

Well, if you’ve been following Sxip on Twitter like I told you to do, you should have noticed not only tweets about the funding of his new album Sonic New York via fan donations at Kickstarter (yes, that’s another thing I bought), but also an exciting string about the brass band movement.

Inspired to share after an evening at Barbes witnessing brass band Vevertise, Shirey tweeted on Oct. 28:

"The brass band movement in the US is the truly DIY music culture of now. All those old band geeks picking up their horns again."

Followed by, "Brass bands have to many people to make money, they don’t need amplification,they rarely get "signed",they bring the party with their feet."

 

His hot 8 list includes:

Mucca Pazza, http://mucca-pazza.org/

Killsonic, http://killsonic.org/

Hungry March, http://hungrymarchband.com/

Raya, http://rayabrassband.com/

Stumble Bum, http://www.myspace.com/stumblebumbrassband

Rude Mechanical, http://rudemechanicalorchestra.org/

Red Baraat, http://www.redbaraat.com

Infernal Noise Brigade (RIP), http://www.infernalnoise.org/

I don’t know about you but I’ve got a lot of listening to do.

-ag

 

Coach Czech – Mucca Pazza

Help! I can’t stop buying things

 
The most dangerous thing about researching something you’ve got a passion for is that you keep finding amazing things and falling in love with them. And everything is for sale.
While mass marketing and absent minded materialism are against the NeoVaudeville code, nurturing the really often handcrafted and artistic inqenuity of your fellow artists is most definitely encouraged.
Especially if you are offering something of your own artistry for sale – you’re a fraud of sorts unless you’re reinvesting back into the continued development of the shared aesthetic.
 
So… I’ve found as my research heats up again in these last laps before my presentation debut, I’ve started to buy things.
I will run out of money very fast so it’s not exactly a crisis. Buying things used to be an ordinary part of life… before recession pay cuts at the day job, etc. Indeed, I’ve forgotten how good it feels to spend even the smallest amounts on the magical things that make one’s own sanctuary a place where escaping from the ugliness in the world is possible.
It feels really good. So now I’m panicking. What art of my own can I sell so I can afford to buy other people’s art?
 
This week I ordered a limited edition Tina Imel print of a Victorian cat using snuff that I’ve had my eye on for a long time.
 
 
 
Today I picked uo two bottles of Black Phoenix Alchemy Lab.  Arachnina: the Spider Girl is from the Carnivale Diabolique collection. Duh. And Violet Ray is from the Phoenix Steamworks collection. Both I can present during my presentation in show and tell. I’m going to be wearing the costume pieces I bought for my promo photo shoot, doing a sort of one woman show meets lecture kind of show. So why not this bit about my inability to resist the temptation.
After all I’m not just going to be up there talking about these things from a cold academic viewpoint.
I REALLY DO LOVE THIS STUFF.
And I’m just as much of a sucker as any Barnum victim.
 
 
 
Oh, I’ve also succumbed to the temptation of DIY. For a long time I’ve been happy with my words and photographs but lately, it’s occured to me how easy it is to make some of these beautiful things I can’t justify buying ready to wear from artisans on my budget. I spent what amounts to a small fortune in single mom income terms this weekend at the craft store buying jewelry making supplies. My Etsy shopping car is overflowing with amazing beads and filigrees and charms, cameos, brass and silver and copper fixtures. They’re so cheap … individually, but when I click that checkout button, lots of modest bills are going to add up in my Pay Pal account to a sum that makes my checkbook quake.
 
It’s OK. We’re going to make it through this.
 
It may have been easier when the only things to be bought were ugly and undesirable. But it wasn’t nearly as inspired.
 
–ag
 
 

Matt McNamara becomes a mime

 
I just can’t keep up with all the neovaudeville stunts pop culture is pulling.
Yet more evidence that the mainstream is catching up to the underground, as it always eventually does …
 
Ryan Murphy’s always surprising Nip/Tuck on FX launched its sixth season with a tribute to MIME!
 
Titled "Don Hoberman" the first episode of the season finds recession stressed plastic surgeons Christian Troy and Sean McNamara questioning Sean’s son Matt about luxury charges on his credit card, which is supposed to be for emergency use only.
 
Christian points out a $450 charge to Emmanuel Delacroix (a nod perhaps to Etienne Decroux?), thinking it’s the name of a men’s clothing designer. Matt explains that this Delacroix is the number one mime in the world in New York offering a rare masterclass opportunity.
 
"You know how they say when you find your bliss is when the money starts rolling in? Well, I think I’ve found it," Matt says. "Mime is so amazing, man. It takes us beyond our petty egos, beyond language, and unifies us. It’s a great art form. The pure universale language of gesture."
 
Sean replies, "Is this a joke?" Christian follows: "Listen Boxcar Willie, we can rent your room, so you either kick in or you’re out by the first. So get off your unicycle or whatever the hell it is that mimes drive these days and get a goddamned real job."
 
Ouch.
 
Boxcar Willie, of course, was a country music star famous for his celebration of hobo culture – not a mime. It could be said Christian’s confused name dropping demonstrates the blurred line between hobos and clowns in today’s neovaudeville performance aesthetic.
 
As it turns out however, Matt’s mime (who looks an awful lot like Marcel Marceau) is more of an outlaw than an outcast. Curious to see how the storyline plays out, but I’m guessing it’s along the lines of tragedy.
 
 
 
 
 
 
 -ag
 
 

Steampunk Haunted House

 
Just caught wind of this sign of the zeitgeist via tweet from @WendyRosenfield (Theater critic for the Philadelphia Inquirer, blogging at ArtsJournal.com.
 
Produced by Third Rail Projects, Steampunk Haunted House at Abrons Arts Center’s Playhouse on the Lower East Side was billed by The Village Voice as "so fashionable, it’s scary."
 
 
Running Oct. 28-31, the 20-minute experience promises "an immersive world of churning gears, mechanical monstrosities, and steam-powered cyborgs… Clockwork spiders, legions of half-man/half-machine drones, and mechanized monsters and misfits manifest in eerie parlors, laboratories, and boiler rooms."
 
According to the press release, "the aesthetic of steampunk offers a fresh, romanticized view on technology and fashion by making it retro, set in an alternate, anachronistic Victorian-era that retains a pre-industrial elegance."
 
 
 
 

   http://vimeo.com/moogaloop.swf?clip_id=7066035&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=&fullscreen=1

Steampunk Haunted House Trailer from Third Rail Projects on Vimeo.

 

–ag

 

Family Guy VaudeVille Tribute

 

I was looking for a clip of that scene in which Stewie & the child actress Olivia do a vaudeville-esque number ( "You Do," in From Method to Madness ) and found this tribute first.

Love this character!

 

YouTube – Family Guy VaudeVille Tribute
   

a wink and a smile

 
Thanks to ‘Little Rosemary’ for turning me on to Deirdre Timmons’s documentary about ten women enrolled in Seattle’s Academy of Burlesque.
 
The Village Voice called A Wink and a Smile, "a look at the gradual mainstreaming of that fringe revival, and the decidedly above-ground women who are attracted to the [burlesque] form."
 
Perfect.
 
A Wink and a Smile will be available for purchase on DVD Nov. 19 but you can pre-order now.
 
The film’s Web site describes the 90-minute musical documentary as:
"A world were performance art and showgirl spectacle kiss you on the cheek. A world where music, theater and sexuality crash into over-the-top glamour. A world where many want to go, but most never dare."
 
Additional clips are available at http://winkthemovie.com.
 
–ag
 
 
 
 
     
 
 

genesis

 
It’s almost everyday now I discover a new lead into the rapidly expanding nebulae of what I’ve been calling NeoVaudeville for lack of an equally inclusive and equally straightforward term.
 
I’ve established this blog space to track the news as it meets my radar now that my initial project web pages have been established.
 
These items may or may not make it in to my live presentation, "NeoVadueville in the 21st Century."
 
 
–alicia

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