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Gregarious Expressions

by Alicia Lynn Grega

Holiday Card 2023: Wrapping Paper

*This post includes two concluding stanzas that were cut from the printed card due to lack of space.

Didn’t like the cold so much when I was younger,
blamed the biting air for skipping classes.
But I didn’t know about wool then
(not the cozy kind that doesn’t itch)
and it was colder in the ‘90s.

Now, suffering hot flashes most days,
the chill is welcome.
There’s a luxury to dressing in layers;
topping off coats with concealing cloches.
Glad for the excuse to cover my aging body.

Like wrapping paper,
women over a certain age
have been too hastily discarded,
tossed crumpled into the corner.
Obsolete as a Twilight Zone librarian.

My sister loves the tubes at Christmastime,
the color play of so many designs.
Nothing, she reminds me, is more satisfying
than a full-roll, clean swipe of the scissors.
Stacy used to stay up all night wrapping presents
but gift bags are too easy.

Our grandmas who grew up in the Depression
taught us to save every scrap.
Slice along the Scotch tape,
salvage what you can,
try not to rip the paper.
Recycle that sheet.

A student writes,
“wrapping paper is terrible for the environment.” *
Oh, shit. That, too?
Coated and covered with glitter, foil, tape, and bows,
it’s hardly recyclable.
But couldn’t we all use a little mystery and suspense?
The pleasure of anticipation?
The magic of the reveal?

Can I look the other way on this?
Imagine four months of winter-bare branches
without snow, now and then, to cushion the view.

I spent a lot of time thinking about masks this year.
Not the flimsy paper things we hoped
would slow the virus
But the subservient facade they call normal,
the polite smile that excuses exploitation,
doesn’t complain,
helps the insecure feel superior
and the abusive absolved.

Mine keeps slipping. Oops, sorry, not sorry.
Just trying to be me!
But they don’t like what they see.
And now I don’t even know who to text anymore.

We’re judged by our exteriors
while we insist it’s what’s inside that counts.
Truth is:
nothing inside that package will fill the void inside of you.
The ghosts will be hungry
until you stop wanting.

We prefer potential to reality,
just wanting to feel seen.
Maybe this time?

Your gifts are not a test:
we’re only counting thoughts.
Still, people give envelopes of cash
or can’t miss gift cards
because they know an ill-chosen gift
will give them away.
The poshest packaging in the world
won’t cover their failure to care.
Because they haven’t been paying attention.
They don’t remember what you’ve said.
They don’t really know you at all.
And who has the time to shop?
“Things” aren’t what life’s about.

Is this how people decide we collect things –
like owls or elephants?
Like a nickname, you don’t get to choose.

It’s all got me thinking about intimacy
(as I struggle to write romance)
and how we fall in love as we reveal
what’s inside to one another,
whisper secrets never before shared,
confess high hopes and silly dreams.

This poem has come a long way.
I don’t know if it’s done
but it’s time to wrap it up now.
Pun intended.

*Furoshiki cloths are fine. Use newspaper roses or natural springs of pine and cones
instead of shiny synthetics.

alicia grega, Nov.-Dec. 2023

sick in the head

If you asked, I’m sure he’d say I’m better off
now
without him
again.

I did nothing wrong, he assured,
after the break-up text.
Out of nowhere:
Please leave me alone.

Later: It’s mental illness.
His words, not mine.
I would have said, “sick in the head.”

Sure, I’m better off.
*Marked safe from inhibited narcissists today.*
But he doesn’t have to sit across the table
from Grandma when she asks,
with that sly little grin,
“How’s your man?”
Marrying well was the most important thing
anyone was going to let her do in life.
(That, and raising six boys.)

She’d never say an unkind word but
she doesn’t want to hear about the art
or my awkward and exhausted career.

She must think what a shame I had to do all that.
Raising the girls by myself after picking out a bum.
Twenty years divorced and couldn’t find a man to take care of me.

Even when she admires my outfit,
compliments how well I look,
she can see it’s too late.
I let my last chance slip away.

-ag
24 Sept. 2023

After a long day. 25 Aug. 2023.

Memory, 1991-ish

The first time I tasted Balsamic vinegar was at a dinner party at my first-year college advisor’s house in Madison, NJ. I would go on to take French classes with her after I declared my theatre major and had to choose a new advisor. But she was huge in that year as I tried to figure out who I could be in the world away from home. It was probably the first time I had lettuce other than iceberg, too.

Thank you Dr. Marie-Pascale Pieretti for showing me how a professor can nurture her students. The texts we read in our freshman seminar were the hardest I’ve ever had to read. The course was something like “Signs and symbols in the Nouvelle Vague movement of French Film.” Semiotics. Linguistics. What?! We worked hard, though. We learned about things I couldn’t have imagined existed back in Moscow, PA.

And then she rewarded us with salad! I’m sure something else was served but all I remember is red leaf and that simple balsamic and olive oil dressing. Letting the plant sing. No need for toppings to weigh down the leaf or distract from that surprising flavor.

I had grown up eating casseroles made with Campbell’s cream of … soups. Meatloaf. Hamburger Helper. BBQ in the summer. Seasonings came out of packets – ranch, Lipton onion, gravy, etc. An occasional chicken soup or goulash. Mom worked. She didn’t have the time or budget to gourmet.

It’s okay. I’m not angry with her or anything.

It positioned me to appreciate all of the wonderful things I would go on to explore. I’ve learned to taste everything (except bugs LOL) and that quality ingredients are worth the price. I believe the honey crisp apple cider is worth the extra $2.

Just because I’m eating alone today doesn’t mean I shouldn’t eat well. There’s a roast in the oven and I’m about to sauté some baby bellas. The salad is simple. I need to nurture myself so that I can give my best to the students currently under my care. I’m grateful to have the excuse. -ag

See you on the Fringe!

Be sure to add our Common Play Factory site and socials @ dramastruction.com to keep up on news about Maureen McGuigan’s play Remember You Must Die: A Comedy, premiering at the Scranton Fringe Festival this October. The play runs Thursday, Oct. 5 through Saturday, Oct. 7 at 8:30 p.m. with an additional matinee performance on Oct. 7 at 4 p.m. Tickets are only $15 and are available at ScrantonFringe.org.

I’ve been working with Maureen for months as a dramaturg as she’s woven her life stories into dramatic shape and edited the script into a tight 45-minute, Fringe-length work. Now, I get to put my director hat on and help her rehearse her performance and presentation of the play. Not trying to sell you too hard here, but I’d be amiss if I didn’t mention our gratitude to Jason Smeltzer who will perform music for the show. Yea!

There are a lot of other shows on the Fringe menu. We encourage you to check out the schedule and see as many shows as you can!

Scranton is the other woman

Sharing the Scranton, PA, references I stumble upon in pop culture and the arts has become a hobby of mine since we used to track such mentions at the (now defunct) electric city weekly newspaper long before The Office came to town.

After years of reading Lorrie Moore’s “How to Become a Writer” with my students, I finally got around to the rest of the author’s magnificent short story collection Self-Help (1995) last week. I was shocked to discover the prominent role Scranton plays in “To Fill.” In this story set in Philadelphia, “Scranton” comes to represent Tom’s affair. He uses the name of the city to refer to his mistress, rather than sully her given name, Julia. The other woman, we eventually learn, is a poet who works as a teacher in Scranton. “Scranton” soon becomes a dirty word in the mouth of our narrator, Tom’s wife Riva. The city’s name is henceforth equated with rejection and betrayal.

Here is the first mention.

“The woman in the health food store, I believe, is slowly losing her mind. Every time I go in there, she is slumped on the wooden stool behind the register more dazed, more sad than before. She recognizes me less.

Today, I am the only one in there and when I say, ‘Excuse me. Can I get two pounds of bulgar wheat?’ she continues to stare at the coconut shampoos, her legs frozen in cross, her back a curved mound beneath the same pink-grey sweater she drapes like a small cape over her shoulders. Finally, she says, ‘Huh?,’ but never looks up.

‘Bulgar wheat,” I say gently. ‘Coarse. Like last week?’

‘Yeah,’ she pulls at the sweater then goes through some sort of pelvic swivel which tilts the stool just enough to spill her down and out of it.

She scuffs around the counter to the bulgar wheat, reaches for a scoop, a paper bag, and then bursts into sobs. I try to think of what to do. I quickly grab three coconut shampoos to help out her business a little and then go to her, put my arm around her and tell her about Tom’s secret affair last year in Scranton. And how I visited him there as a surprise and learned of the whole thing and got drunk and stuck postage stamps all over myself and tried to mail myself home. That always cheers people up when I tell it in “Scarves and Handbags.”

She smiles, shuffles over to the register, charges me for four, not three, coconut shampoos, and the bulgar wheat.”

-excerpt from “To Fill” by Lorrie Moore.

This must be the anger stage

Sometimes we need art to absorb toxic angst lest we poison ourselves with anger. -ag

CPF Work in Progress

What’s on my white board?

Nothing much. Inspirations and notes. I like to keep it clean, between.

Sister Corita Kent’s rules and Bertolt Brecht, Berlin 1931. Black Scranton Steamtown Magnet. Giving blood is the least I can do to give back; to justify my footprint, my consumption of resources. Always give back. I’m rooting for you Wanda. Nod to Ginsberg’s HOWL on the City Lights Bumper sticker I’m considering putting on the car. That’s an Allen Ginsberg quote scribbled at the top of the board. The Howlmobile does not have a name. Allen into Al; Big Al after my grandfather. Once upon a time, I was Little Al. The Proofreader’s Marks remind me of the Hobo Code.

Post-its to remind me what my brain was thinking. Or should think more about in the future. “Coney Island of the Mind,” Ferlinghetti. “Peter Pan Goes Wrong panto.” Show me why your vision will work (writing workshop). Building Sandcastles. Show within a show. LESSON: Dialogue & time period. Solo performance devising workshop (Fringe?) LC ART 105 OA syllabus + updated content due 5/22 – GOAL 5/15. Most important dates and appointments are written in the planner. Or on the mini board on my desktop.

Above that: the sweetest Christmas correspondence from my daughter in L.A. Bonjour, Miranda!

“The show is over. The audience get up to leave their seats. Time to collect their coats and go home. They turn around – no more coats and no more home.” A postcard from the Carnegie Museum of Art in Pittsburgh – Untitled (1991) by Christopher Wool.

nostalgia years old

Simply saying I turned 51 last week does not convey the heft of these years I’ve accumulated.

I am officially old enough to sit around and talk about the old days.

It was kind of Lawrence to have me as a guest on his revived public access program “Stories, Wisdom & Recipes.”

Find it on Electric City Television via ECTV.Network or watch via YouTube, below.

peace & blessings -ag

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