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Gregarious Expressions

by Alicia Lynn Grega

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Entertainment

depersonalization time / Scranton Story Slam

OK. I can’t watch this video. I tried. But I had to press stop after the first sentence.
All this time, I was happy with the memory of that feeling I had stepping off the stage. Relief. Thanks the gods, I pulled it off.

Now I know I messed up THE SECOND WORD. Pretty significant mistake. I don’t want to know how many more I made.

We’re not supposed to see ourselves like this — from the outside, from across the room? I get that same queasy feeling sometimes while driving down the highway at high speed — our bodies weren’t meant to go this fast.
I can’t watch it. But you can, if you want. I never did get around to posting the text of the story. Maybe I still will. Contrary to the point of the event, I think it reads better on the page.
-ag

Re: City Council Meeting: Theater of Tiny Disjuncture

I had the pleasure of meeting Aaron Landesman at The University of Scranton the week before last and hearing about this latest work in progress first hand. It’s a nice shake up reminding of the many unconventional forms theater can, and some would argue should, take as we move into this uncertain future. Check out this article published at howlround.com yesterday.
-ag

City Council Meeting is taking a form we think we know and asking you to see it differently. Our live event asks you to momentarily own even the most problematic, mundane, “crazy” or sincere views of our fellow citizens, and ask how simply looking each other in the eye can be the beginning of a creative act.What happens next is up to you.

via City Council Meeting: Theater of Tiny Disjuncture by Aaron Landsman | HowlRound.

RE: No sympathy for the creative class: Art in Crisis

Artists are talking about this all the time but just like every other conversation they are trying to have with mainstream society at large, it’s viewed as irrelevent.

Creative types, we suspect, are supposed to struggle. Artists themselves often romanticize their fraught early years: Patti Smith’s memoir “Just Kids” and the various versions of the busker’s tale “Once” show how powerful this can be. But these stories often stop before the reality that follows artistic inspiration begins: Smith was ultimately able to commit her life to music because of a network of clubs, music labels and publishers. And however romantic life on the edge seems when viewed from a distance, “Once’s” Guy can’t keep busking forever.

via No sympathy for the creative class – Art in Crisis – Salon.com.

Wondering if any “non-creatives” read this story in Salon.com and cared, I read the comments. Quite the trip – everyone’s got their own little pet peeves. I’m honestly a little surprised by the number of people comparing our culture’s glorification of destruction (the military machine) vs. its shunning of creatiion & nurturing (art and motherhood).

“Why should you be able to surving making theater?” I was asked this weekend. “Why shouldn’t you have to have a day job?”

I get it. Everyone is broke. And no one wants to pay for art. Especially in Scranton. So I and my colleagues are struggling to prove that given a little money we could possibly reach our potential as artists — really make something the whole city could be proud of and enriched and stimulated by. The art we are making now is a shadow of what we might someday do. I love the challenge of making something out of nothing. But working all day and all night is hard and, even harder than doing it, is finding other people who are willing to do it with you. With few exceptions, theatre is not a solo art.
We are constantly forced to cut and limit and sacrifice ingredients that limits the full impact of what we know we can achieve.
Writing and making theater is what I do better than anything else, IMHO. Why wouldn’t I want to be allowed to spend my life doing what I am good at instead of something that I’m certainly capable of but … it’s nothing special?
It’s a daily heartbreak. But we endure the pain and the feelings of futility, helplessness, neglect and disregard because we can’t not make. Creating is living. When it stops, there is no longer any reason for me, at least, to be here.

-ag

Behold! Scranton – Episode 1

What we’ve all been waiting for! Our good friend Conor McGuigan takes his popular stage show characters to video! Behold!
-ag


Behold! Scranton – Episode 1 – YouTube.

Billtown Burlesque troupe comes to Synergy Friday

 

“This is a young group, and like most people their age, they are a hyper-connected crowd. This hyper-connectivity isnt just online either – their ties to the community have let them pull together both the resources and the fans they need to put together several impressive shows.”

via Billtown Burlesque troupe comes to Synergy Friday – SunGazette.com | News, Sports, Jobs, Community Information – Williamsport-Sun Gazette.

maybe it isn’t all that funny that i’ve been fighting all my life

A beauty from Amanda Palmer.
This really resonates.

Working on not just saying, but also believing that “i am exactly the person that i want to be.” -ag

 

“In My Mind” Music Video – YouTube.

If You Can Play Scranton: A Theatrical History, 1871-2010 by Nancy McDonald: Excerpt

I studied an early, cardstock-bound copy of this book while working on my NeoVaudeville grant presentation back in 2009. It’s a little fact-heavy but boasts a few memorable anectdotes and is a worth $13 for those interested in vaudeville and theatrical history –especially if they’re from Scranton.

I’m personally curious to read the last chapter — as one of the few journalists covering theater in Scranton for the past decade (as well as consistantly working on the production end in my freelance life). and I’ve never met or spoken with the author as far as I can remember but according to her bio she has participated in local cemetery theater productions.

-ag

“If You Can Play Scranton is a theatrical history of America as seen through the famous performers who came to Scranton, Pennsylvania. It discusses performances by the best known actors and actresses of the tragic and comic stage, ethnic performers, vaudevillians, musical comedy, concert, orchestra and band performers from 1871-2010. At the turn of the 20th century, Scranton was one of the most famous try-out towns for legitimate stage productions. The sophisticated taste of its audience, created by extensive exposure to world renown talent, continues to this day.”

via If You Can Play Scranton: A Theatrical History, 1871-2010 by Nancy McDonald: Excerpt.

Video- Syfy’s Neverland

This Is Our World – Neverland : December 4-5

The two-night Syfy original miniseries Neverland, a prequel J.M. Barrie’s Peter Pan, airs this weekend, Dec. 4-5 at 9/8c.

Preview suggests this will be fun to watch even if its flawed. -ag

via Syfy Video – Neverland – This Is Our World – Neverland.

http://widget.syfy.com/singleclip/singleclip_v1.swf?CXNID=1000004.10035NXC&WID=48e10f5e9dbb50aa&clipID=1361483&folderID=1319925

An Evening with Sarah Ruhl

Playwright Sarah Ruhl reads excerpts from “75 Essays I Don’t Have the Time to Write” in the Pearn Auditorium at the University of Scranton on Friday, October 21, 2011.

An Evening with Sarah Ruhl

 

For an engaging personal account of the event, read Matthew Hinton’s post “A RETURN (to ART / PACK MENTALITY) … SARAH RUHL PROSELYTIZES at the UofS … and ECHOES in SOUND and LIGHT,” at The Analog Art Blog.

 

-ag

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